You'll also find a break down of the color palette's used for each Superheroine along with and overview of the coloring process for quick review. Feathering is the process in inking where you have a bunch of lines that go thin to thick that, from a distance, end up looking like more of a tone than a full black or white area. Learn techniques for creating expressive and fun character art with these tutorials. The last four chapters of the course are dedicated to coloring - How to pick complementary color schemes that are pleasing to the eye and contrast well with the design; and how to light, shade and render the individual aspects of each characters anatomy, costuming and hairstyle. If a characters hair is dark brown, dont outline the hair and then fill it in dark brown later! Lastly, lets talk about Multiliners in Clip Studio Paint.
Create beautiful comic book women from start to finish withconciselessons that cutout the fluff and reveal how its all done. Because the Superheroine lessons are time-lapsed, you're able to get a more wholesome overview of the entire process, rather than getting lost, or bored in the many hours it would take you to get through the real-time demonstration. (This content will be added to the Superheroines Course Package March 30), Workshop Video Lessons give you a deeper understanding of the penciling, inking and coloring techniques demonstrated inside the course.
So I trimmed the lessons down to just those elements, so that youcould get the most important information you needed, in the shortest amount of time possible, without having to sit through 30-50+ hours of footage to find what you're looking for. I put the lightest colors where the figures would realistically get lit by the bright light and darkened the base color where light wasn't touching. My goal in an action sequence is communicating where the characters are and what they are doing, but I have to do so in the most dynamic way. Manga Studio or, as its now known, Clip Studio Paint is actually built to be completely style-agnostic.
When I was a young lad, I wanted to make a superhero comic, and I thought at the time there was only one program that was capable of digitally replicating the real pens that liked to ink with. I couldn't draw them in proportion, the anatomy was atrocious, and their poses looked bland or broken. So in putting this course together I realised the most important things you would need to know is the process, and how to execute that process. I place them in the panel based on the order they speak in. This initial stage is all about kick-starting your imagination so that youre able to get something down onto the page right away. But if you still feel you didn't get what you were looking for out of the course, I'm more than happy to refund your copy of the course within 30 days of purchase. Personally, Im a big fan of the India Ink Smooth, because of its clean lines and subtle texture. Sometimes switching to the eraser makes sense, but a lot of erasers dont mimic the texture of your inking tools, so this doesnt look nearly as clean. Introductory Videos to Manga Studio & Photoshop which guide you through the application's interface and give you an in-depth overview of the inking/coloring methods used throughout this course. That way, you can test out some different ideas while saving your initial drawing. Every mistake taught me something new, and I made plenty of them. Net so we can bring you more tutorials, videos and courses. Next well begin developing a more definitive concept for our characters right over the top of their pose! They have a texture for each tip that I scanned from the real-life tools and tried to size according to real marks that I made on a scrap piece of paper. INVERSE 2022 BDG Media, Inc. All rights reserved. Click the button below to get started and within a few minutes you'll have access to, Comic Book Character Creator: Superheroines. I think that's what pushed me to keep going despite my discouraging results.
Greens, teals, and dark blues illicit a creeping sense of doom. Look at where Woody is blasting the hippo in the mouth with his eye beams.
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I would encourage you to see what the default settings of these tools behave like in a few drawings before digging in to customize them. These complimentary chapters are meant to fill any knowledge gaps - and are added intermittently through student feedback and requests. Lastly, a lot of comic creators will use Multiliner Pens for their superhero comics. Browne: Sometimes this is difficult. While these pens do have a slight variance, its not nearly as much as a G-Pen or Brush. The course starts out by taking you through the preliminary design phase of character concepting, where well brainstorm ideas for 5 different Superheroines that we could potentially develop into finished designs. ? But when used well, spotted black areas can create some really dynamic values to push your inking to the next level. Luckily, they all can be easily replicated in Clip Studio Paint! I tried to focus on hatching in this one, really getting some deeper shadows in his armpits and on one side of his face.
In this 5+ hour video demonstration Ill show you an easy to follow, step by step method for creating beautiful comic book women from start to finish. The feathering here is much smaller and tighter than the brush. Scott Drummond is an American comic artist and illustrator. I myself have many courses I haven't completed just because I don't have the time to. The core lessons in this course cover as span of 5.5 hours in total, spanning across 11 separate chapters that each focus on a specific aspect of the character creation workflow used to create 3 unique Superheroines. For this tutorial, Im using Clip Studio Paint, a versatile software for illustration, comics, and animation. Right out of the box, Clip Studio Paint has a number of India Ink Brushes that work great for making superhero comics. Secondly, the page has to be entertaining! And nibs that havent been used very much can get some very precise thin lines, as well. Now, get out there and make some great comics!
To avoid this, I often use the Transparent Swatch with my inking tools. If you ever wanted to learn how to make your own comic book, Quantum & Woody writer Christopher Hastings and artists Ryan Browne and Ruth Redmond reveal the what, the how, and the why of writing and drawing a superhero comic book action sequence. On the right, Im using the Hard and Soft Erasers, which dont have that texture and dont quite fit, giving it a little bit of a mechanical look. Inking and coloring are quite simple and repetitive tasks once you understand the basics, but they're also very time consuming. Christopher Hastings (writer): My stance here is a widely-held I don't think will shock anyone: A comic page has to be clear. Hey it's Clayton,I'll be your instructor for this course. Another example of this would be where I color the snakes darker where I wanted them to recede visually and gradually lighten them in the direction I believe the reader's eye ought to be led. In the dot on the left, Ive cut back into it with the Smooth India Ink Brush, so those ink lines retain the texture of the brush. Chris is setting up the scene and characters. These pens are pretty famous for being finicky, though, so there is a wide variety of felt-tip multiliner pens that create fairly consistent lines without the risk of ink rushing out or splattering everywhere. I can assure you, everything you need to know is covered in detail.
You don't have to look far to find superheroes.
Some include a questionaire to help you reflect on your progress and assess your approach so that you can achieve better results. But wait, I thought. I ran into hundreds of obstacles along the way, doubted myself about a thousand times, and turfed out who knows how many failed drawings into the garbage. I want to emphasize speed, scale, and the impact of blows or powers. The default is 5 pixels, which might be a bit small (more of a Maru nib than G nib), but I wouldnt push it past 12 or 15 pixels on a 600 dpi canvas. The nib is split at the end, so that when pressure is applied, that split widens and more ink goes onto the page. Ill explain in comprehensive detail why and how I approach the coloring process in the way I do, to ensure predictable and consistent results in the finished presentation of my character designs. These pins are all on the topic of drawing comic books. Panels, Gutters, and Page Flow, The Difference Between Digital Manga and Hand-Drawn Manga, How to Draw Powerful Sword Fighting for Comic panels & , Inking Superhero Comics in Clip Studio Paint, Creating a Dynamic Landscape Composition with Silhouette, Exclusive Interview: Lois Van Baarle (Loish), Becoming a Concept Artist for a Hollywood Film, Things You Need to Know to Become a Game Illustrator, How to Make Appealing Original Characters, Extracting Scanned Line Art for Digital Coloring, Must-Know Tips to Improve Your Tablet Drawing Experience, ArtStation Marketplace Success Story: Le Vuong, Sculpting Forms, Using Value, and Brush Introductions. Ive also left a space at the far left side of that hair open for some nice rim lighting. This is primarily focused on attaching the head to the torso in a few examples.
Each lesson is concise and to the point, cutting out the fluff and leaving you with a clear guide thatll reveal how its all done.
If youre a bit hesitant to ruin your drawing, you can always put your spotted blacks on a different layer than your regular inks! The lessons are all time-lapsed. Before going into this, you need to know something - I possess no natural talentin the slightest.
It's true, I wasn't gifted. If you're worried or concerned about missing out on any aspect of my process due to the time-lapse - don't be. If you want a deeper dive on this, be sure to check out the video Ive made to go along with this article, with some tips and timelapses of the inking demos. That was my only edge - failing fast. When autocomplete results are available use up and down arrows to review and enter to select. A definitive volume of knowledge on the art of creating stunning, comic book women, so you don't have to figure it out on your own. Ive drawn him on a 10.25 x 8.25 canvas with a 10 x 8 Binding Size at 600 DPI. I also completely blacked out the black parts of his costume for a more iconic look, as opposed to rendering the light reflecting off of it.
Its easy to think inking should be just like penciling, where you just draw the shapes as they are.
You need to avoid [breaking] the 180 rule (where characters swap places because you suddenly view the action from the opposite side). It is quite gratifying to come up with something like "A brain monster combines an entire zoo's worth of animals to make some kind of biological Voltron" and then see it get illustrated so skillfully, and then actually get PRINTED and DISTRIBUTED. Once youve had some practice, though, feel free to hit the wrench icon on the Subtool Palette with the Tool you want to edit selected. Your gift supports How To Draw Comics.
Not manga! I analysed everything I did wrongand solved it in one way or another. For the Pencils, I used a Grey Layer, and my Perfect Pencil. In general, the smaller the panel the quicker the reader reads it and thus it becomes a smaller moment in time. In the full course, I cover how to pencil, ink and color three full characters, and most of the lessons go for 40-50 mins.
They still weren't perfect by any means, but seeing that progress inspired me to keep going. Use this special coupon code at check out, (This special Coupon will only work until the 31st of March). Ryan Browne (artist): The page has to tell the story clearly and avoid confusing the reader. If thats something you want to do, but arent exactly sure how its done - keep reading because this course might be just what youve been looking for! Hastings: My favorite thing about comics is that I get to tell a visual story without the massive demands of film or television. Ruth Redmond (colorist): It is my job as a colorist to encourage the readers eye in the way the writer and artist intended while evoking any emotions I feel appropriate for the scene with colors I choose. Notice also, how Ive spotted the blacks on the left side of his hair, so you can tell that its dark. To get the look of a G-Pen, look no further than the built-in G-Pen in the Pen Subtool. When you get this course, you'll receive access to the Virtual Comic Art Classroom (VCAC) - where you'll be able to submit your assignments to get personalized feedback on your Superheroine character's from me directly. Well map out the anatomy and the key muscle groups throughout their body to make sure theyre all structured correctly. This stage is all about experimentation, exploration and nailing down final the look of our Superheroines. Their answers have been edited for brevity and clarity. (This content will be added to the Superheroines Course Package March 25), The Superheroines Transcript provides a readable guide, complete with screenshots from the course itself that you can refer back to, or follow along with as you watch the course. (This content will be added to the Superheroines Course Package On an Ongoing Basis). So you want to direct the reader's eye so that it flows from panel to panel in the correct order. Then I heard of a little program called Manga Studio. As you can see in the illustrations below, my ability to draw women improved considerably over time.
Along the way Ill explain my creative process in detail and show you the exact techniques I use to digitally illustrate high quality, professional looking comic book characters.
The hand on the right, however, is inked while keeping the lighting in mind. Browne: I think about action and reaction. I always try and angle it down in the direction of the reader. It comes with a range of digital art tools and brushes so you can start drawing with it right out of the box. Most often, I see American comic creators using a G-Pen style of dip pen. Spotted blacks can be scary when starting out, because you think, I spent all this time figuring out where things go, and you just want me to cover it up! I did an outline around the entire character first, in the 0.3, then switched to the 0.1 pen to do some detailing work. So, when using this G-Pen, Id recommend keeping it sized relatively low. Then I used the Multiliners for different parts of his costume, so that would have a little more manufactured feel, since the lines were more even.
What kind of article would this be without a demo? Introductory Videos to Manga Studio & Photoshop, (This content will be added to the Superheroines Course Package, (This content will be added to the Superheroines, Comic Book Character Creator: Superheroines. Your colors will end up too close to your inks and it will look incredibly muddy. All of them were manly, ugly or deformed. Better yet, youll be able to submit your assignments to the Virtual Comic Art Classroom - a closed Facebook Group where youll get direct, one-on-one feedback on your work from me, as well as your comic art classmates!